文献类型：期刊文章

作　　者：陈铭志[1]

机构地区：[1]上海音乐学院作曲系

出　　处：《音乐艺术（上海音乐学院学报）》

年　　份：2000

期　　号：1

起止页码：38-46

语　　种：中文

收录情况：BDHX、BDHX1996、CSA-PROQEUST、CSSCI、CSSCI2000_2002、NSSD、RWSKHX、SKJJZZ、核心刊

摘　　要：The article deals with some untouched problems concerning Shostakovich’s 24 Preludes and Fugues: the three independent lines formed by the subject and its two fixed countersubjects, all on the same triad; the “answer in natural mode” in the same key; and the techniques of “motif growing” and “straight expansion” as concluded by the author. In addition, the followings are also treated: the application of quite a number of musical forms in the polyphonic suite, and the inner link and formal comparison between preludes and fugues.

关 键 词：肖斯塔科维奇 前奏曲 赋格曲 作曲法

分 类 号：J614.5[音乐与舞蹈学类] J604