文献类型：期刊文章

作　　者：邓淑苹[1]

机构地区：[1]台北故宫博物院

出　　处：《考古与文物》

年　　份：1999

期　　号：5

起止页码：15-27

语　　种：中文

收录情况：BDHX、BDHX1996、CSSCI、CSSCI1999、NSSD、RCCSE、RWSKHX、SKJJZZ、ZGKJHX、核心刊

摘　　要：The major purpose of this paper is to make a discussion on four Dongyi style jade artifacts excavated from the areas of Shanxi and Shaanxi.They include one jade qi ax from Licheng,Shanxi as well as one large knife,one deity-ancestor figure and one cong tube from Lushanmao,Yan’an,Shannxi. In the past,some scholars,who studied the collections of non-archaeologically excavated antiquities,classified the Dongyi style jades as the remains of Shandong Longshan culture comparing with the inscribed decors on a jade gui tablet,which was unearthed from Liangchengzhen,Rizhao ,Shandong .The diagnostic elements of the Dongyi style include the figure of an eagle ,phoenix feathers,the figure of a long hair woman’s head with a hat and earrings,and abstractive mask decorated with cattle horns and a jie(介)shape crown. Since 1989,however,Dongyi style jades were archaeologically cxcavated from the Shijiahe Culture sites in the Hunan and Hubei provinces of the middle Yangtze River valley.Some scholars interpreted this as the representation of the southwestward movement of the Dongyi people reuslting from the split of the Dongyi tribes after their failure in the war at Zhuolu.Nowadays jades with a mixture of both Huaxia and Dongyi styles have been found in Shanxi and Shaanxi.It is even noteworthy that a cong tube was decorated with stylistic elements of three major ethnic groups-Huaxia,Dongyi and Miaoman.This phenomenonreflects clearly the intensive interactions among the ethnic groups in ancient China at thelatter half of the 3rd millenium B.C.

关 键 词：山东龙山文化 石家河文化玉器  良渚文化  神祖  东夷族 东夷文化 博物馆  蚩尤  面纹  中原龙山文化  

分 类 号：K87]